Descriptive Summary
Title:
Christine Tamblyn papers,
1962-1998, (bulk 1976-1997)
Collection number:
MS-F011
Creator:
Tamblyn, Christine
Extent:
20.1 linear feet (44 boxes and 14 oversize folders)
Repository:
University of California, Irvine. Library.
Special Collections and Archives.
Irvine, California 92623-9557
Abstract:
This collection comprises notes, correspondence, interviews, photographs, slides, audio and video recordings, floppy disks, CD-ROMs, books, catalogues, printed ephemera, and artifacts collected and created during the life and career of artist, critic, and educator Christine Tamblyn. The bulk of this collection consists of materials documenting Tamblyn's artwork, writings, academic career, and professional activities from the 1970s through 1990s. The collection also includes some personal files and juvenilia. The collection is particularly strong in the area of conceptual art, performance, video and digital media in the 1970s and 1980s, representing her work as a multimedia, video, and performance artist as well her role as writer and critic. Files include extensive documentation of two of Tamblyn's CD-ROM works, She Loves It, She Loves It Not: Women and Technology (1993) and Mistaken Identities (1995). Materials concerning such artists as Karen Finley, Lynn Hershman-Leeson, and others can be found throughout the collection. Significant issues and debates in the U.S. art world of the 1970s to 1990s are well documented in Tamblyn's articles, essays, and reviews for a variety of publications, including Afterimage, Art news, Cinematograph, Art week, High Performance, Leonardo, and New Art Examiner. Materials also reflect Tamblyn's participation in the national and international art world, primarily through her attendance at and presentations for conferences and symposia, but the geographic emphasis is Chicago and the San Francisco Bay Area. The collection also contains posthumously collected materials, including the multimedia CD-ROM Archival Quality (1998).
Language:
English.
